Andrew Stewart
Curriculum Vitae
(As of 10-19-06)
Education
1972. Ph.D., St Catharine's College, Cambridge, and the British
Schools of Archaeology at Athens and Rome. Classical Archaeology.
1972. M.A., St Catharine's College, Cambridge, and the British
Schools of Archaeology at Athens and Rome. Classical Archaeology.
1969. B.A., St Catharine's College, Cambridge. Classics.
Employment
1998.
Chancellor's
Research Professor in Ancient Mediterranean Art and Archaeology, University of
California at Berkeley.
1997.
Visiting
Professor, Department of Art History and Archaeology, Columbia University. Professor, Department of Classics,
University of California at Berkeley.
1986. Professor, Department of History of Art, University of
California at Berkeley.
1980. Associate Professor, Department of History of Art,
University of California at Berkeley.
1979. Assistant Professor, Department of History of Art,
University of California at Berkeley.
1978. Visiting Assistant Professor, Department of History of Art, University
of California at Berkeley.
1975. Lecturer II (= Associate Professor, with tenure), Department
of Classics, University of Otago, Dunedin, New Zealand.
1972. Lecturer I (= Assistant Professor), Department of Classics,
University of Otago, Dunedin, New Zealand. Keeper of Greek and Roman Antiquities, Otago Museum.
1971-2. Supervising instructor in the history of Greek vase
painting, Faculty of Classics, Cambridge University (Museum of Classical
Archaeology).
Awards,
Fellowships, and Grants
2003.
Getty Collaborative Research Grant ($233,000) for project:
"Hellenization at Dor: Acculturation and Resistance" (Principal
Investigator). Millard Meiss
publication grant for book Attalos, Athens, and the Akropolis.
2001. U.C.
President's Research Fellowship in the Humanities and UC Humanities Research
Fellowship for 2001-2002 academic year.
Visiting Distinguished Professor, Australian Archaeological Institute at
Athens.
1997.
University
of California Research Assistantship in the Humanities; Kress Foundation
Traveling Seminar grant.
1998.
Chancellor's
Research Professor in Ancient Mediterranean Art and Archaeology, University of
California at Berkeley.
1994.
John Simon Guggenheim Memorial Fellowship; U.C. President's Research
Fellowship in the Humanities (declined).
Elected Corresponding Member, Deutsches Archäologisches Institut.
1993. University of California Research Assistantship in the
Humanities.
1991. Greek Sculpture: An Exploration received George Wittenborn
Memorial Book Award (Art Libraries Society of North America) and Award for
Excellence in Professional and Scholarly Publishing (Association of American
Publishers).
1990-91. Visiting Scholar, Getty Center for the History of Art and
the Humanities.
1989. Associate (Visiting Scholar), Humanities Institute,
University of Michigan at Ann Arbor.
1988-90. Visiting Professor in the Department of the History of Art,
The Johns Hopkins University.
1988. Publication grants from the Millard Meiss Foundation and the
J. Paul Getty Trust, for book Greek Sculpture: An Exploration.
1987-present. Editor, "Hellenistic Culture and
Society," U.C. Press.
1986. Visiting Scholar, The J. Paul Getty Museum. University of California Humanities
Research Fellowship for study leave.
1983. American Philosophical Society Research and Travel Grant for
work into Cretan-Near Eastern connections in the Geometric and Archaic periods.
1981. University of California Humanities Research Fellowship for
study leave.
1980. University of California Regents Junior Faculty Fellowship
for Summer Research.
1977. Otago University Faculty Publication Award for book: Attika:
Studies in Athenian Sculpture of the Hellenistic Age.
1969. Wace Medal for Classical
Archaeology, Cambridge University.
Walston Studentship, Cambridge University and the British School of
Archaeology at Athens (re-awarded, 1970).
1966. Open Scholarship, St. Catharine's College, Cambridge.
Archaeological
Work
1986-present. Director, U.C. Berkeley excavations at
Tel Dor, Israel.
1976-77. Excavator, Maori settlement at Long
Beach, Otago Province, New Zealand.
1970. Trainee and (later) trench supervisor,
the Unexplored Mansion, Knossos, Crete.
Public
and Professional Service; Editorial Work (in U.S.)
2004. Member, Advisory Boards, American Journal of Archaeology; Annual of the British School
of Archaeology at Athens; and Mitteilungen des Deutschen Archäologischen Instituts,
Athenische Abteilung
2003-05. Editor for the ancient world, H.W. Janson's History of
Art (Prentice
Hall)
2002.
Acting
Chair (fall), Graduate Group in Ancient History and Mediterranean Archaeology,
University of California at Berkeley.
1999-present.
Co-Curator of Greek and Roman Antiquities, Phoebe Apperson Hearst Museum
of Anthropology, UC Berkeley.
1993-1996.
Member,
Board of Advisors for the Center for Advanced Study in the Visual Arts,
National Gallery of Art, Washington D.C.
U.S. academic adviser, U.S.-German organizing committee for the
exhibition "Pergamon: The Telephos Frieze from the Great Altar"
(Metropolitan Museum of Art and Fine Arts Museums of San Francisco, 1996).
1991-1993. NEH Advisory Panelist for exhibition
"Pasture to Polis: Greek Art and Culture in the Age of Homer." (University of Missouri-Columbia, fall
1993; University Art Museum, Berkeley, spring 1994.)
1990. Session Chair, AIA Annual Meetings, San Francisco.
1988-1990. Member, U.C. Library Program Committee.
1988. Symposium Organizer, "Images and Ideologies:
Self-definition in the Hellenistic World". U.C. Berkeley.
1987-present. Member, Educational Advisory Board,
Perseus Project. (Harvard-Boston
University computerized teaching system for students of ancient art and
culture).
1987-present. General Editor, "Hellenistic
Culture and Society," U.C. Press.
1987-1990. Member, Board of Trustees, University
Art Museum. Chair, Department of
History of Art, University of California at Berkeley.
1985. Symposium organizer, "Greek Art and the Peloponnesian
War," College Art Association Annual Meetings, Los Angeles.
1981-85. President, Archaeological Institute of America, San
Francisco Chapter. Chair, Graduate
Group in Ancient History and Mediterranean Archaeology, University of
California at Berkeley.
1980-present. Adviser, U.C. Press, U. of Chicago
Press, Cambridge U.P., Yale U.P., Princeton U.P., U. of Wisconsin Press, Johns
Hopkins U. Press, U. of Texas Press, etc.
Consultant, J. Paul Getty Museum, Santa Barbara Museum of Art, Fine Arts
Museums of San Francisco, L.A. County Museum of Art, Kimbell Art Museum, The
Walters Art Gallery.
Invited Lectures and Other Presentations (since arrival in the U.S.)
[2007. "Skopas, Praxiteles, and
their Rivals." (Provisional
title.) Invited lecture at the
opening colloquium of the exhibition, "Praxitèle et son temps." Musée du Louvre, Paris.]
["The Originality of Praxiteles."
(Provisional title.) John
and Helen Collis Lecture, closing presentation in a two-day symposium at the
Cleveland Museum of Art on the Cleveland Apollo Sauroktonos and Praxiteles.]
2006. "Periklean Athens. San Francisco State University: Program in Modern Greek.
2005. "Settlers or Symposiasts? Attic Imported Pottery at Tel Dor,
Israel, and its Implications for Greek Trade and Settlement." AIA Annual Meetings, Boston.
"Alexander, Philitas, and the skeletos: Poseidippos and the Truth in Sculpture." Annual Magie Lecture, Princeton
University.
"Designing Women: The
Hetaira as Model from Phintias to Praxiteles." Invited lecture, Case Western Reserve University, Cleveland,
OH.
"Portraiture and Posterity: The
Originality of Alexander." Invited
paper in conference on Alexander the Great and his Era, Alexander Onassis
Public Benefit Foundation, New York
"Power, Empire, and Masculinity: With Alexander in
Asia." Invited public lecture
in a three-day international symposium on "Alexander's Afterlife: Power, Empire, and Masculinity in the
Wake of Alexander the Great." John
W. Altman Humanities Scholars-in-Residence Program, Miami University, Oxford,
OH.
2004. "The Case of the Lesser Attalid
Dedication." Invited paper,
International conference on Chronologies and Styles in Greek Sculpture,
Department of Archaeology, University of Athens.
"Nudity, the Olympics, and Greek
Self-Fashioning." Invited
paper, International conference on Athletics, Society and Identity, The
Foundation for The Ancient World, Athens.
2003.
"Tel
Dor, Israel: Problems and Prospects." University of Washington at Seattle.
2002. "Little Barbarians: A
Tale of Ten Statues." Invited
lecture, American School of Classical Studies at Athens and the Musée du
Louvre, Paris.
On-site lectures
in Macedonia as visting lecturer, College Year in Athens.
"Alexander, Philitas,
and the skeletos: Poseidippos and Truth
in Early Hellenistic Portraiture."
Invited paper in a joint conference on Early Hellenistic portraiture,
Deutsches Archäologisches Institut and American School of Classical Studies,
Athens.
"Poseidippos and the
Truth in Sculpture." Invited
paper in a conference on the New Poseidippos, University of Cincinnati (paper
read in absentia).
2001.
"Gods on Earth:
Hellenistic Kings and the Trappings of
Divinity." Invited lecture, The
British Museum (BM Public lecture series).
"Alexander Persicus: A New Portrait on a Tetradrachm of Seleukos."
Invited paper, The British Museum (Dept. of Coins and Medals).
"Synagogue Time." Invited lecture, The Judah L. Magnes
Museum, Berkeley.
Lectures and seminars
delivered in Australia and New Zealand (Sydney, Melbourne, La Trobe, McQuarie,
Newcastle, Armidale, Adelaide, Perth, Hobart, Christchurch, Dunedin) as 2001
Australian Archaeological Institute at Athens Distinguished Visiting Professor:
2.
"Little
Barbarians: A Tale of Ten Statues."
3.
"A
Greek City in Israel: New Discoveries at Dor."
4.
"Designing
Women: The Hetaira as Model from Phintias to Praxiteles."
5.
"Laokoon's
Eyes."
6.
"Representing
Royalty in Nabatean Petra: The Puzzle of the Khazneh."
7.
"Recycled
Heroes: The Tyrannicides, Giambattista de' Bianchi, and David's Horatii."
2000. "Little Barbarians: A Tale of
Ten Statues." Invited lecture,
Fine Arts Museums of San Francisco; University of Michigan at Ann Arbor.
1999. "The Great
Altar of Pergamon Revisited." Invited lecture, University of Chicago.
"New Light on Praxiteles'
Knidia." Invited lecture, Art
Museum of Chicago; University of Michigan at Ann Arbor.
"Narrative and the
Telephos Frieze." Invited lecture,
Lincoln College, Oxford.
1998. "The Great Altar of Pergamon Revisited." Invited lecture, Tufts University;
University of Idaho; University of Texas at Austin; Yale University.
1997. "Women, Dress,
and Desire in Classical Greece."
Deppe Memorial Lecture, U.C. Santa Cruz.
"On the Reconstruction and Functions of the Great
Altar of Pergamon." Invited
paper, Langford Distinguished Scholars' Conference on Pergamon and Sperlonga,
Florida State University, Talahassee.
1996. "Goddess or Queen? A Colossal Female Head in the Athenian Agora." Invited paper, conference on "Regional
Styles in Hellenistic Sculpture," sponsored by the American School of
Classical Studies at Athens.
Respondent, "Cult Statues in the Ancient Near East,
Egypt, Greece, and Rome."
AIA-APA Annual Meetings, New York.
"The Telephos Frieze and Greek Narrative
Tradition." Invited paper,
International Symposium on "Narrative Art in the Ancient World,"
California Palace of the Legion of Honour, San Francisco.
"The Parthenon Frieze and the Sausage-Seller."
Invited paper, Dept. of History of Art, Yale University; Frank Davis Memorial
Lecture, the Courtauld Institute of Art, London.
1995. "Three Attic Ideologies." College Year in Athens.
"Women, Dress, and Desire in Classical
Greece." Invited paper,
Workshop in connection with the exhibition "Pandora's Box," The
Walters Art Gallery, Baltimore; also given as an invited lecture at the Dallas
Museum of Art.
1994. "Amazons Ahoy!
Patriotism, Gender, and Ethnicity in Fifth-Century Athens." Conference on "Knowledge, Power,
and Society: Scholarship and Modes of Interpretation," The Moshe Dayan
Center, Tel Aviv University.
"From Mourners to Myth: The Origins of Narration in
Greek Art." U.C. Berkeley
University Art Museum, in connection with the exhibition "From Pasture to
Polis: Art in the Age of Homer."
"Alexander, Anchors, and Elephants. Coins and the Fame of
Seleukos." Conference on
"Ancient Coins and Ancient History," sponsored by the American
Numismatic Society, San Francisco Chapter, and the Graduate Group in Ancient
History and Mediterranean Archaeology, U.C. Berkeley.
"The Temple at Dor." Archaeological Institute of America, Annual Meetings,
Atlanta.
1993. "Classical Greek Nudity and the Rhetoric of
Praise." National
Gallery of Art, Washington D.C., in connection with the exhibition
"Bronzes and Marbles of Classical Greece."
"Immortal Flesh: On
Nudity and Gender Construction in Greek Art." First annual Brunilde S. Ridgway lecture, Seattle Society of
the Archaeological Institute of America; Vancouver Society of the
Archaeological Institute of America.
"The Alexandrian Style: A Mirage?" Conference on "Alexandria and
Alexandrianism," The J. Paul Getty Museum.
"Excavations at King
Solomon's Harbor: Seven Seasons of Work at Tel Dor, Israel." Department of Classics, University of
British Columbia, Vancouver.
1991. "Inter Tabula Nullis Postferenda: Heroism, Frustration,
Tragedy, and Chance in the Alexander Mosaic." Getty Center for the History of Art and the Humanities,
Santa Monica; Department of the History of Art, University of Toronto.
1990. "Excavations at King Solomon's Harbor: Four Seasons of
Work at Tel Dor, Israel."
Graduate Group in Ancient History and Mediterranean Archaeology, U.C.
Berkeley.
"Faces of Power: Prolegomena to a Book on the
Portraits of Alexander the Great."
Department of the History of Art, The Johns Hopkins University.
1989. "U.C. Berkeley Excavations at Tel Dor, Israel: 1988
Season." Graduate Group in
Ancient History and Mediterranean Archaeology, U.C. Berkeley.
"Neoclassicism and Roman Sculpture." Workshop on neoclassicism at the
Archaeological Institute of America, Annual Meetings, Baltimore (respondent).
"Ethos and Pothos in a portrait of Alexander the
Great." Workshop on Ancient
Portraiture, CAA Annual Meetings, San Francisco.
"Narration and Allusion in the Hellenistic
Baroque." Department of the
History of Art, The Johns Hopkins University.
"Jews, Greeks, and Romans in the Second Temple
Period: Some Observations, Chiefly Archaeological." The Badé Institute, Pacific School of
Religion, Berkeley.
"Notes on the Reception of the Polykleitan
Style: From Diomedes to Alexander."
Conference on Polykleitos and his Time: the Doryphoros and its
Influence, Minneapolis Institute of Arts.
"Alexandria, Queen of the Mediterranean." Educational symposium on Alexandria,
Ancient and Modern, jointly organized by the Middle East Center, University of
California at Berkeley, and the M.H. de Young Memorial Museum, San Francisco.
"Charisma and Power: Alexander's Money, 336-323
BC." Humanities Institute,
University of Michigan at Ann Arbor.
1988. "Hellenistic Tyre." Symposium on The Heritage of Tyre. Smithsonian Institution, Washington D.C.
"Self-definition in Hellenistic Art." Conference on Images and Ideologies:
Self-definition in the Hellenistic World, U.C. Berkeley (moderator).
"The 'Cult' of Nudity in Greek Art." Los Angeles County Museum of Art, in
connection with the exhibition "The Human Figure in Early Greek Art."
1987. "Greeks, Romans, and Jews." UCLA Extension, in connection with the
Treasures of the Holy Land Exhibition, Los Angeles, County Museum of Art.
"U.C. Berkeley Excavations at Tel Dor, Israel: 1987
Season." Department of the
History of Art, U.C. Berkeley, and the Badé Museum, Graduate Theological Union;
also at California State University, Turlock, and in other Bay Area and
Northern California locations.
1986. "Alexander and Companions at the J. Paul Getty Museum." The J. Paul Getty Museum.
"U.C. Berkeley Excavations at Tel Dor, Israel: 1986
Season." Department of the
History of Art, U.C. Berkeley.
"Narrative, Genre, and
Realism in the Work of the Amasis Painter." Symposium on The Amasis Painter and his World, held in
conjunction with the Amasis Painter Exhibition by The J. Paul Getty Museum and
The J. Paul Getty Center for the History of Art and the Humanities.
1985. "Greek Art and the Peloponnesian War." College Art Association Annual
Meetings, Los Angeles (moderator).
1984. "Dionysos and the Hellenistic Age." Archaeological
Institute of America, New Haven Chapter.
"New Directions in Pergamene Sculpture." Archaeological Institute of America,
Providence and Princeton Chapters.
"When is a Kouros not an Apollo?" Archaeological Institute of America,
Philadelphia Chapter, and Duke University Department of Art History.
"History, Myth, and Allegory in the Program of the
Temple of Athena Nike at Athens."
National Gallery of Art and Johns Hopkins University, Joint Symposium on
Classical and Mediaeval Narrative; also to Dept. of Art History, U.C. San
Diego.
1983. "When is a kouros not an Apollo?" University of Texas at Austin,
Department of Classics.
"Dionysos and the Hellenistic Age."
Archaeological Institute of America, Sonoma Chapter; also to Department of Art,
Linfield College (Oregon).
"The Riace Bronzes."
Department of Art, Linfield College (Oregon).
"Art and Society in Mycenaean Greece." U.C. Berkeley Extension Symposium on
the Greek Bronze Age.
"Norm and Form in Greek
Art." Stanford University,
Department of Classics.
"Greek Art and the Coming of Rome." M.H. de Young Memorial Museum, San
Francisco, in connection with the exhibition "The Vatican Collections: the
Papacy and Art."
"Residents and Visitors; Selected Greek and Roman
Sculptures in the De Young and Vatican Collections." M.H. de Young Memorial Museum, San
Francisco, in connection with the exhibition "The Vatican Collections: the
Papacy and Art."
"Some Observations on the
West Akroteria at Epidauros."
Archaeological Institute of America, Annual Meetings, Cincinnati.
1982.
"Greek and Roman Collecting and Taste." U.C. Berkeley Greek Workshop, summer
lectures.
"Queries on Quarries." OSNEMA (Student-faculty Archaeological Society), U.C.
Berkeley.
"The Alexander Ideal: Image and Reality." The J. Paul Getty Museum; M.H. de Young
Memorial Museum, San Francisco; Archaeological Institute of America, San
Francisco Chapter.
"Art and Society in Argead Macedonia." M.H. de Young Memorial Museum, San
Francisco, in connection with the Search for Alexander Exhibition.
"New Directions in Pergamene Sculpture." Archaeological Institute of America,
Stanford and Eugene Chapters.
"Animals, heroes, and kings." U.C. Berkeley University Art Museum, in
connection with the exhibition "Animals in Greek Art: the Leo Mildenberg
Collection."
"Lysippos and the Hellenistic Age." Archaeological Institute of America,
Annual Meetings, New Orleans.
"Late Classical Narrative
Technique." Archaeological
Institute of America, Annual Meetings, New Orleans.
1981. "Stesichoros and the François Vase." Burdick Symposium on Ancient Greek
Painting and Iconography, University of Wisconsin at Madison.
"Dionysiaca. Vignettes from the Iconography of a World Religion."
The Trail of Alexander. U.C.
Berkeley Extension Weekend Symposium.
1980. "Dionysos at Delphi: The Pediments of the Sixth Temple of Apollo and Religious
Reform in the Age of Alexander."
The Search for Alexander.
Symposium held at the National Gallery of Art, Washington, in connection
with the Search for Alexander Exhibition.
1979.
"The
Creative Artist in Antiquity: Some Problems." Archaeological Institute of America, San Francisco Society.
Andrew Stewart
Bibliography
(As of 10-1-06)
1.
Attalos,
Athens and the Akropolis: The Pergamene "Little Barbarians" and Their Roman and
Renaissance Legacy. Cambridge: Cambridge University Press,
2004.
2.
Art,
Desire, and the Body in Ancient Greece. Cambridge:
Cambridge University Press, 1996.
Greek translation, Ekdoseis Alexandreia 2003; French translation
forthcoming.
3.
Faces
of Power: Alexander's Image and Hellenistic Politics. Berkeley and Los Angeles: University of California Press,
1993. (Hellenistic
Culture and Society
vol. 11.)
4.
Greek
Sculpture: An Exploration. 2 vols. New Haven: Yale University Press, 1990.
5.
Attika:
Studies in Athenian Sculpture of the Hellenistic Age. London: The Society for the Promotion of Hellenic Studies,
1979. (Journal of Hellenic
Studies,
Supplementary Papers no. 14.)
6.
Skopas
of Paros. Park Ridge, N.J.: Noyes Press, 1977.
(In
preparation)
7. Classical
Greece, and the Origins of Western Art (working title).
Cambridge: Cambridge University Press. Due at the Press, December 31, 2006.
Co-Edited Books and Collections of Papers
1. Images
and Ideologies: Self-Definition in the Hellenistic World. Berkeley and Los Angeles: University of California Press,
1993. (Hellenistic Culture and
Society vol. 12.)
Invited Contributions (Refereed) to Collections of
Essays; Museum and Exhibition Catalogues; Excavation Reports; etc.
1.
"Baroque
Classics: The Tragic Muse and the Exemplum."
Classical Pasts. The
Classical Traditions of Greco-Roman Antiquity, ed. James I. Porter. Princeton: Princeton University Press, 2005. Pp. 127-70.
2.
"Poseidippos
and the Truth in Sculpture." The
New Poseidippos,
ed. Kathryn Gutzwiller. Oxford:
Oxford University Press, 2005. Pp.
183-205.
3.
"The
Khazneh." Petra
Rediscovered, ed.
Glen Markoe. Cincinnati and New
York: Cincinnati Museum of Art and Harry Abrams, 2003. Pp. 193-98.
4.
"On
the Date, Reconstruction, and Functions of the Great Altar of
Pergamon." Pergamon and
Sperlonga, ed.
Brunilde S. Ridgway and Nancy deGrummond.
Berkeley and Los Angeles: University of California Press, 2000. Pp. 32-57.
5.
"Confronting
the Other: Childbirth, Old Age, and Death on an Attic Tombstone at
Harvard." Not the Classical
Ideal: Athens and the Construction of the Other in Greek Art, ed. Beth Cohen. Leiden: Brill, 2000. Pp. 248-74. Co-authored with Celina Gray.
6.
"Goddess
or Queen? A Colossal Female Head
in the Athenian Agora." Regional
Styles in Hellenistic Sculpture, ed. Olga Palagia and William Coulson. Oxford: Oxbow Books, 1998. Pp. 83-91.
7.
"Telephos/Telepinu
and Dionysos: Distant Light on an Ancient Myth." Pergamon: The Telephos Frieze from the Great Altar, vol. 2, ed. Renée Dreyfus and
Ellen Schraudolph. Austin:
University of Texas Press, 1997.
Pp. 109-20.
8.
"The
Alexandrian Style: A Mirage?"
Alexandria and Alexandrianism: Papers Delivered at a Symposium Organized
by the J. Paul Getty Museum and the Getty Center for the History of Art and the
Humanities, April 22-25, 1993, ed. Kenneth Hamma.
Malibu: J. Paul Getty Museum, 1996. Pp. 231-46.
9.
"A
Hero's Quest: Narrative and the Telephos Frieze." Pergamon: The Telephos Frieze from
the Great Altar,
vol. 1, ed. Renée Dreyfus and Ellen Schraudolph. San Francisco and Berlin, Fine Arts Museum of San Francisco
1996. Pp 39-52. Also published as "La ricerca
dell' eroe: Arte narrativa e il Fregio di Telefo," in E. la Rocca (ed.), L'Altare
di Pergamo/Il Fregio di Telefo. Rome:
Leonardo Arte, 1996. Pp. 107-117.
10.
"Marble
Sculpture." Excavations at
Dor, Final Report,
vol. 1B: Areas A and C: The Finds, ed. Ephraim Stern.
(Qedem Reports 2.) Jerusalem: Israel
Exploration Society, 1995. Pp.
457-59.
11.
"Rape?" Pandora: Women in Classical Greece, ed. Ellen Reeder. Baltimore: The
Walters Art Gallery, and Princeton University Press, 1995. Pp. 65-79.
12.
"Imag(in)ing
the Other. Amazons, Gender, and
Ethnicity in Fifth-Century Athens."
Poetics Today 16 (1995): 571-97.
13.
"Reflections." In Sexuality and Ancient Art, ed. Natalie Kampen. Cambridge: Cambridge University Press,
1995. Pp. 136-54.
14.
"Notes
on the Reception of the Polykleitan Style: Diomedes to Alexander." Polykleitos, the Doryphoros, and
Tradition. Wisconsin Studies in Classics, ed.
Warren G. Moon. Madison:
University of Wisconsin Press, 1995.
Pp. 246-61.
15.
"Narration
and Allusion in the Hellenistic Baroque." Narrative and Event in Ancient Art, ed. Peter J. Holliday. Cambridge: Cambridge University Press,
1993. Pp. 130-74.
16.
"Hellenistic
Art and the Coming of Rome." Hellenistic
Art in the Walters Art Gallery, ed. Ellen Reeder.
Baltimore: The Walters Art Gallery, 1988. Pp. 35-44.
17.
"Narrative,
Genre, and Realism in the work of the Amasis Painter." Papers on the Amasis Painter and his
World, ed. Marion
True. Malibu: J. Paul Getty
Museum, 1987. Pp. 29-41.
18.
"When
is a Kouros not an Apollo?" Corinthiaca. Studies in Honor of Darrell A. Amyx, ed. Mario del Chiaro. Columbia, Miss.: University of Missouri
Press, 1987. Pp. 54-70.
19.
"History,
Myth, and Allegory in the Program of the Temple of Athena Nike at
Athens." Pictorial
Narrative in Antiquity and the Middle Ages. Studies in the History of Art, vol. 16, ed. Herbert L. Kessler
and Marianna Shreve Simpson.
Washington D.C.: National Gallery of Art, 1985. Pp. 53-74.
20.
"Sculpture
in a Classical Landscape." Classical
Art. Sculpture. The Santa Barbara Museum of Art, ed. Mario del Chiaro. Santa Barbara: Santa Barbara Museum of
Art, 1984. Pp. 86-94.
21.
"Pindaric
Dike and the
Temple of Zeus at Olympia." Studies
in Classical Lyric: A Homage to Elroy Bundy, ed. Paul Psoinos and Thomas Walsh. Classical Antiquity 2 (1983) 133-44.
22.
"Stesichoros
and the François Vase." Ancient
Greek Art and Iconography, ed. Warren G. Moon.
Madison: University of Wisconsin Press, 1983. Pp. 53-74.
23.
"Dionysos
at Delphi: The Pediments of the
Sixth Temple of Apollo and Religious Reform in the Age of Alexander." Macedonia and Greece in Late Classical
and Early Hellenistic Times.
Studies in the History of Art, vol. 10, ed. Beryl Barr-Sharrar and Eugene Borza. Washington D.C.: National Gallery of
Art, 1982. Pp. 205-28.
(In press)
24.
"Alexander,
Philitas, and the Skeletos: Poseidippos and Truth in Early Hellenistic
Portraiture." New Directions in
Early Hellenistic Portraiture, ed. Ralf von den Hoff and Peter Schulz. Cambridge: Cambridge University Press,
forthcoming December 2006.
1. "Hellenistic Art and Architecture: Two Dozen Innovations." The Cambridge Companion to the Hellenistic World, ed. Glenn Bugh. Cambridge: Cambridge University Press 2006. Pp. 158-85.
2.
"The
Ancient World." A Basic History of
Western Art, ed. Anthony F. Janson.
Upper Saddle River: Prentice Hall, 2006. Pp. 16-133.
3.
"The
Portraiture of Alexander." Brill's
Companion to Alexander the Great, ed. Joseph Roisman.
Leiden: Brill, 2003. Pp.
31-66.
4.
"Hellenistic
Art, AD 1500-2000." A Companion
to the Hellenistic World, ed. Andrew Erskine.
Oxford: Blackwell, 2003.
Pp. 494-514.
5.
"Archittetura." Enciclopedia delle scienze. 1. La
Scienza antica. Rome: Istituto della Enciclopedia
italiana, 2001. Pp. 955-62.
6.
"Greek
Sculpture." The Oxford
Illustrated History of Western Art, ed. Martin Kemp.
Oxford: Oxford University Press, 2000. Pp. 12-23.
7.
"Hellenistic
Art," "Damophon," "Polykles," "Hagesandros,"
"Lysistratos," "Skopas," "Isigonos, Stratonikos,
Antigonos, Epigonos, Phyromachos," "Greek Sculpture: Materials,"
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"Some
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"Alkamenes' Two Herms Again." Zeitschrift für Papyrologie und Epigraphik 145 (2003) 107-08.
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"Hellenistic
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"David's
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7.
"The
Equestrian portrait of Alexander the Great on a New Tetradrachm of Seleucus
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8.
"Nuggets:
Mining the Texts Again." American
Journal of Archaeology 102 (1998) 271-82.
9.
"Diodorus,
Curtius, and Arrian on Alexander's Mole at Tyre." Berytus 35 (1987) 97-99.
10.
"A
Fourth-Century Bronze Mirror-Case in Dunedin." Antike Kunst 23 (1980) 23-34.
11.
"Lysippan
Studies." American Journal
of Archaeology 82
(1978) 163-71, 301-13, 473-82.
12.
"The
Canon of Polykleitos: A Question of Evidence." Journal of Hellenic
Studies 98 (1978)
122-31.
13.
"To
Entertain an Emperor: Sperlonga, Laokoon, and Tiberius at the
Dinner-Table." Journal of
Roman Studies 67
(1977) 76-90.
14.
"A
Cast of the Leconfield Head in Paris." Revue Archéologique 1977, 195-202.
15.
"Aristion." Archaiologika Analekta ex Athinon 9 (1977) 257-66.
16.
"Scrotal
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"Israel:
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Archäologen." Welt und
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25 (2001) 63-64.
2.
"A
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3.
One
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III of Greek Sculpture: An Exploration, for "Perseus" 2.0. On line, 1997.
4.
"The
Classical Period." Art of
the Western World: Study Guide, ed. Beatrice Rehl.
Corporation for Public Broadcasting and WNET New York. 1989. Pp. 1-27.
5.
Art
of the Western World: Greece. TV Program
and Videotape. New York:
Corporation for Public Broadcasting and WNET New York. 1989.
(In press)
6.
"The
Originality of Alexander the Great."
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Foundation, forthcoming 2007.
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J.
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P.C.
Bol et al., Die Geschichte der antiken Bildhauerkunst. 1. Frühgriechische Plastik (Mainz, 2002), in Gnomon 76 (2004) 723-25.
3.
P. E.
Stanwick, Portraits of the Ptolemies: Greek Kings as Egyptian Pharaohs (Austin, 2002); H. R. Reinders and
W. Prummel (eds.), Housing in New Halos: A Hellenistic Town in Thessaly,
Greece (Lisse,
2003); and G. Lindström, Uruk: Siegelabdrücke auf hellenistischen Tonbullen
und Tontafeln (Mainz,
2003), in Antiquity 78 (2004) 438-42.
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T.
Scanlon, Eros and Greek Athletics (Oxford, 2002), in The American Historical Review February 2003: 231-32.
5.
C.
Kunze, Der farnesische Stier und die Dirkegruppe des Apollonios und
Tauriskos (Mainz,
1998), in Gnomon
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6.
A.
Stähli, Die Verweigerung der Lüste: Erotische Gruppen in der antiken Plastik (Berlin, 1999), in American
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7.
C.
Rolley, La sculpture grècque vol. 2 (Paris, 1999), in American Journal of
Archaeology 104
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8.
C. Schneider,
Die Musengruppen von Milet (Mainz, 1999), in American Journal of Archaeology 104 (2000) 402-3.
9.
A. M.
Snodgrass, Homer and the Artists (Cambridge, 1998), in The Times Literary Supplement (May 28, 1999) 5-6.
10.
B. S.
Ridgway, Fourth-Century Styles in Greek Sculpture (Madison,1997), in Journal of
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11.
H.
Kyrieleis, Der grosse Kuros von Samos (Samos 10, 1996), in Journal of Hellenic Studies 118 (1998) 247-48.
12.
A.
Cohen, The Alexander Mosaic.
Stories of Victory and Defeat (Cambridge, 1997), in American Journal of Archaeology 102 (1998) 447-48.
13.
E.
Berger, Die Entwurf des Künstlers (Basel, 1993), in Bonner Jahrbücher 196 (1996) 754-56.
14.
G.
Métraux, Sculptors and Physicians in Fifth-Century Greece: A Preliminary
Study (Montréal
and Kingston 1995), in Phoenix 50 (1996) 360-62.
15. C.M. Havelock, The Aphrodite of Knidos and Her Successors: A Historical Review of the Female Nude in Greek Art (Ann Arbor, 1995), in Journal of the History of Sexuality 7 (1996) 102-104.
16.
C.
Rolley, La sculpture grècque vol. 1 (Paris, 1995), in American Journal of
Archaeology 100
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17.
L.
Todisco, La Scultura greca del 4 secolo a. C. (Milan, 1993), in Gnomon 68 (1996) 444-47.
18.
B.
Andreae (ed.), Phyromachos-Probleme (Mainz, 1990), in Gnomon 65 (1993) 710-16.
19.
R. R.
R. Smith, Hellenistic Royal Portraits (Oxford, 1988), in American Journal of Archaeology 94 (1990) 508-9.
20.
A.
Donohue, Xoana and the Origins of Greek Sculpture (Atlanta, 1988), in American
Journal of Archaeology 93 (1989) 158-59.
21.
H.
Kyrieleis (ed.), Archaische und klassische griechische Plastik (Mainz, 1986), in American
Journal of Archaeology 92 (1988) 610-11.
22.
B.
Fehr, Bewegungsweisen (Bramstedt, 1979), in Journal of Hellenic Studies 105 (1985) 248-49.
23.
N.
Himmelmann, Alexandria and der Realismus in der griechischen Kunst (Tübingen, 1983), in American
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24.
B. S.
Ridgway, Roman Copies of Greek Sculpture: the Problem of the Originals (Ann Arbor, 1984), in Journal of
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25.
J. C.
Carter, The Sculpture of the Temple of Athena Polias at Priene (London, 1983), in American
Journal of Archaeology 89 (1985) 363.
26.
Studies
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27.
B. S.
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Vierneisel-Schlörb, Munich, Glyptothek: Katalog der Skulpturen 2: Klassische
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C.
Praschniker et al., Ephesos VI: Das Mausoleum von Belevi (Vienna, 1980), in Journal of
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30.
N.
Yalouris (ed), The Search for Alexander: an Exhibition (New York, 1980), in Art
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31.
G. M.
A. Hanfmann and N. H. Ramage, Sculpture from Sardis (Cambridge and London, 1978), in Journal
of Hellenic Studies 100
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M. C.
Sturgeon, Corinth ix.2: The Reliefs from the Theater (Princeton, 1977), in Journal
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33.
E.
Keuls, Plato and Greek Painting (Columbia, 1978), in Art Bulletin 62 (1980) 648-50.
34.
G. B.
Waywell, The Free-Standing Sculpture of the Mausoleum at Halicarnassus (London, 1978), in Journal of Hellenic
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35.
R.
Wenning, Die Galateranatheme Attalos I (Munich, 1979), in American Journal of
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36.
B. S.
Ridgway, The Archaic Style in Greek Sculpture (Princeton, 1978), in Art
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B.
Felletti Maj, La Traditione Italica nell' Arte Romana (Rome, 1977), in Prudentia 10 (1978) 104-6.
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S.
Lattimore, The Marine Thiasos in Greek Sculpture (Los Angeles, 1976), in American
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